Oddball Magazine will be publishing ongoing tributes to José Gouveia in the hopes of raising awareness of the Joe Gouveia Recovery Fund, an effort to help offset the costs of the poet’s upcoming cancer surgery.
You Get What Anyone Gets
For José Gouviea
Outside Club Passim, before the show
the reporter asks if JoeGo will give her
a ride; he nods his head, throws his long
leg over the Harley, and says, “Let’s go.”
And she does, but she doesn’t let go; she
holds JoeGo tight around his waist as the
engine roars and he whips out the back alley
onto Brattle Street. I look at my watch and
see that the show is supposed to start in 5
minutes and wonder if they will get back
in time. In time. In time. We’re all running
out of time but most of us don’t think about
the short lifetimes we live; we live as if it was
going to be forever. 30 seconds before the show
starts, José rolls in, the reporter is laughing and
even after he stops she clings to his waist. “It’s
over”, José says to her, and she looks at him
and she knows she doesn’t want it to be over.
None of us do; who doesn’t reach a period in time
where we think we want to live forever? But
then time has it’s way with us, like a masochistic
brutal policeman with mace and a club, beating us
until we cry out, No Mas, No Mas, but still, when
the cop turns away, we stand up, brush the blood
onto the road where it belongs like an oil patch
waiting on a sharp curve. Jose rides out alone
after the show, cranks the gears with his toes,
faster, faster, faster, he can’t go fast enough, he
can’t write enough poetry to feed his hungry soul,
but he will ride and write until the bike hits the
patch that he left on the road and goes spinning
wildly out of control. This is the big SLIDE, he
thinks, and then he wakes up in the hospital.
“What am I doing here,” José says, “I still haven’t
written my Ode To Life,” as the doctor walks in
and says, “I have bad news,” but José isn’t ready
to hear it. He gets out of the bed, rips the IV out
of his arm and puts on his boots. José is walking
outside to get his Scoot, looks around, and there
it is, standing up on one wheel, still and silent, there
is a woman dressed in Black sitting on the sit and
she crooks her finger at him, says, “Get on”, and
Jose sees the Bike pointing upward and says, “Is
that all there is?” And she smiles and says to him
as she takes off her blouse, “You get what everyone
gets, Dude, You get a lifetime.” Jose hops on and
the Babe holds him tight as they disappear into the sky.
Marc D. Goldfinger is currently the poetry editor and a regular columnist for the Spare Change News, a paper put out for the benefit of homeless people. He is a member of the Liberation Poetry Collective and the Road Scribes of America.
“José, I love you. We’ll ride together again–She’s coming for me too.”
Oddball Magazine will be publishing ongoing tributes to José Gouveia to in the hopes of raising awareness of the Joe Gouveia Recovery Fund, an effort to help offset the costs of the poet’s upcoming cancer surgery.
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