Artwork © Richard Spisak
Chapter 25
Ensconced I am within this thousand dollar room–a thousand on this isle granting one impoverished efficiency. It is just above the streets, and no better than this, not that it should necessarily be otherwise. Nothing needs to be otherwise. There is no imperative for anything unless it is contentment with what is. A meager unfurnished room on a nominal tier, it is redolent of the streets, and no loftier than this. Far from the desideratum, it is, but how in a world so needy as this should I in any way get what I want? As all I can see is what is in front of me, and the good of anything having to be an appraisal of that which is long term, I know not that which is good for me any more than I know what is good for anyone else.
Obtaining is being obtained, and my attainment is not to be tamed, not to be a worker bee buzzing around to buy things and paying dearly in indentured servitude, but to splash words more wildly, perhaps more pultritudinously, but definitely further in abstraction than Suda the Thai elephant when drawing on canvas. An obscure fumbling original I am instead of a famous epigone, but that is the way it is. That is the way it must be. It is what I must do, despite the survivalistic impulse to be in safer and more affluent terrain so innate. Here there are two persistent flies, but it is the metaphorical one of incessant discontent of a solipsistic mind wishing for more that must be constantly brushed away. Here rain and wind buffet windows instead of being. Here radio buffets my aching head ending any tranquil aspirations.
Besides the two, others are below, not just on this street but every street of this usually warm metropolis. Most are mad. The streets and the loneliness, even more than chemical imbalances and tragedy, have made them so. Some are of normal background that early on was ruined by tragedies of abuse and apathy often leading to chemical dependency, and all corollaries leading to expedited physical and mental descent. Some suffer the traumas of wars and exploitation or incarceration with a level of mental predation equal to physical predation of the jungles.
To those immersed in society, they are merely mounds of flesh littering the sidewalks, their hair and clothing absorbing the cold rain for a time before being unable to absorb anything more–viruses and bacteria absorbing them eventually. They sleep on expansive window sills like ledges on the ground levels of office buildings and on and under every bench of every bus stop. To further their ordeal, they hear expletives yelled into the air and hear nocturnal cries of animals competing for territory, food, and mating rights to preserve short term life and genetic traces of themselves for posterity. Theirs is knowledge of social predation better than any sociologist. At the convenience store an hour earlier one of them on the streets said “Uncle will you buy me a soda”? The tone was of one needing to know that there was a bit of compassion in the world than the wish to quench thirst, but as anything can happen, cowardly I turned away– apathy being the greatest of all brutes.
“He ain’t your relative and you are homeless. He ain’t gonna do anything for you”. The response was prescient enough.
Unlike Minneapolis in its blizzards, the city of Honolulu is today paralyzed by a winter storm of
Steven David Justin Sills is a poet, novel writer, and essayist. His book of poetry, An American Papyrus, is in academic libraries predominately, and a scanned copy is in the Internet Archive. Early works can be found on the University of Pennsylvania’s Online Book Page. Sills has a Master’s degree in Great Books of the Western Canon (seminal and influential great books of philosophy, literature, science, and social sciences from ancient periods to the late Enlightenment). He lives in Honolulu where he teaches and experiences life on the edges. His essay is part of a philosophical treatise
Richard Spisak began his artistic career as a light artist in the Lumonics Studios of Mel Tanner, a legendary Light Artist. After serving under Jack Horkheimer as a planetarium operator at the Miami Space-Transit Planetarium, he left to begin traveling with Lumist Kenvin Lyman, whose show Dazzleland Studios traveled across America. Richard later worked as a Laserist with LASERIUM and Laser Productions, served as a technical producer for the festival company PACE Concerts, and later as operations Manager and Senior Producer at WWHP and WTCN-TV in Stuart Florida.
Richard writes for Theatre, TV, radio, and the web. He published two short story collections, Two Small Windows, in a Pair of Mirror Doors, and Between the Silences. Followed by his poetry collection 7370 Allen Drive and the recently released STONE POETRY. Richard also produces “POETS of the East,” a televised webcast featuring poets from across the globe.
Chapter Guide
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty- One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
